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Learn more about working with Looks and LUTs in our upcoming ARRI ALEXA Workshops.

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LiveGrade is still in beta, so you can download it now for a test run. This really improves the Alexa workflow on set and through post. The corrections can be saved as Arri Looks and then imported back into the camera, or exported into a 3D LUT directly. The corrections can be done with a mouse/keyboard or with the Avid Artist Panel (aka Euphonix MC Color).

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The software uses the Blackmagic Design HDLinkPro box to take the ALEXA's output (in Log C) and manipulate it with the same tool found in the Look Generator. However, Pomfort has put together their LiveGrade application to tackle that problem.

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The Arri Look Generator allows you to see the corrected image on your computer screen, but the ability to manipulate the image on a production monitor was missing. Until now, the missing piece in the generation of Arri Look files was the ability to preview the look before loading it into the camera. Silverstack SET is a fantastic tool for working with ALEXA material in general, and now Pomfort has come up with a new piece of software to take the process of Look creation a step further. Their software, Silverstack SET, manages data on set and allows the manipulating of Arri Looks before sending them into a NLE or Color Grading suite. Look files can be created by saving a still from the camera and loading it into the Arri Look Creator, which can then modify the still and output a look.Ī company called Pomfort, based out of Munich, was actually the first to work with Arri Looks. These looks then travel as metadata with the clips recorded (through the XML file).

Instead, they can be used in post by converting them to LUTs using Arri's LUT Generator.

These Look files are similar to scene files found in other cameras, but they aren't burned into the Log C recording of the camera. It is optional whether to copy the ‘.codexvfs’ file during the backup process.When Arri released the SUP 4.0 firmware for the ALEXA, they also added the ability to create color 'Looks' to load into the camera. Log File - path to the log file that contains details of mount/unmount times and any checksum errors during.This includes sound files, photos, any camera media, and all other production documents. In fact, Silverstack offers a flexible way of data handling by supporting any kind of file format. Silverstack imports and handles any kind of camera and media format.

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Volume label and Media ID - can be used for tracking. Silverstack is your tool for media acquisition and professional data management.codexvfs file contains the following useful information in JSON format: codexvfs’ can be used to check the Modification Time. When the Modification Time stops updating, the file system has finished building. Checks separated by 2 seconds or more will detect any changes to the Modification Time. For applications indexing a VFS volume it is recommended to compare the Modification Time pre and post index, to check whether the contents has changed during the indexing process. codexvfs file is repeatedly updated while the file system is built (as new files are exposed via the VFS). It contains static information that may be useful to a file copier application, e.g. VFS volumes have some special features and properties that are detailed in the next section.Ī hidden JSON document named ‘.codexvfs’ can be found at the root of each VFS volume. When CODEX FS volumes are loaded on a macOS system, their content is presented via a software layer called the Virtual File System (VFS). The same Capture Drives are also used for recording Canon Cinema RAW on the CODEX / Canon C700 Recorder, and Panasonic VRAW on the CODEX / Panasonic VRAW Recorder and VariCam Pure.ĬODEX FS is a proprietary object store designed for high performance and reliability. On ALEXA LF and ALEXA SXT with Capture Drive, UDF is used for Apple ProRes recording (in Quicktime MOVĪRRI ALEXA LF and SXT cameras support ARRIRAW recording to Captures Drives using the CODEX File System (CODEX FS).On ALEXA Mini LF with Compact Drive, UDF is used for both MXF/ARRIRAW and MXF/Apple ProRes recording.UDF is used by ARRI ALEXA cameras on Compact Drive and Capture Drive: CODEX media can be formatted as UDF or CODEX FS depending on the camera/workflow being used, as summarised in Table 1.